Lost Archive: Fracture – Review by Fred Patten

Following from the archival of Fred Patten’s lost review of my first book, this is his review of Fracture. Unfortunate circumstances caused the original to be removed from the web, but thankfully an archive exists. This is mostly for my own purposes, but also to help document the complete work of someone instrumental to Furry’s propagation and current standing. To lose something of personal significance to either myself or Fred would be a great shame, and any missing part of someone’s work, no matter how small, is an incomplete story of their life.

The review is transcribed in its entirety, with no changes except where WordPress forces a formatting alteration from its original layout.

Be warned, spoilers for Legacy follow! Read that first if you want to follow along and be surprised!



Fracture, by Hugo Jackson. Map.


Derby, England, UK, Inspired Quill Publishing, September 2016, trade paperback $12.99 (ix + 327 pages), Kindle $3.99.

Fracture is Book 2 of The Resonance Tetralogy. I opened my review of Legacy, Book 1, with the statement: “The map of Eeres on pages iv and v shows only a few land masses amidst many oceans and seas; the result of a prehistoric cataclysm 2,500 years earlier. Millions were killed, the whole world was reshaped, and the few survivors were too desperately trying to survive to keep any civilization or record of the past. All that remained, when a new civilization began to come together centuries later, were legends of a glorious, hardly believable past, and of the unknown disaster that had destroyed it. And a name – Nazreal – of the only city from that forgotten past known (or believed) to have existed for sure.” The map is on pages viii and ix in Fracture, but otherwise it’s still good background.

Full disclosure: my review of Legacy is quoted in “Praise for Hugo Jackson”: “Legacy is very satisfying. Jackson brings a complex and colorful anthro world to life. His descriptions are full of lush detail.”

Fracture begins shortly after Legacy’s end, and while the Prologue is very dramatic, you really should read Legacy first. (Fortunately, it’s still available.) The walled multi-animal city/state/kingdom (Jackson uses the obsolete term “sovereign”) of Xayall, besieged and almost completely destroyed by the evil reptiles of Dhraka, is rebuilding. Xayall’s fox Emperor Aidan is dead, and his young daughter Faria, the on-the-run protagonist of Legacy, is in its hospital recovering. Chapter One is somber:

“Xayall itself […] still held hints of the vibrant life it harboured before its ordeal under Dhrakan claws. Teams of soldiers and civilians worked diligently to clear the streets, and many smaller buildings were already mostly healed of their wounds. The once bright sandstone walls, although still riddled with scorch and pock marks where the Dhrakan bombs had spent their wrath, were patrolled by dedicated troops eager to defend against any unwanted raids. The biggest change in the city’s visage, however, had been made to the central tower. Formerly the city’s glimmering pinnacle, the Tor’s severed column now virtually disappeared against the blanket of clouds, while the wing structures previously cradling the sky had shattered at its base when they fell, and were now solemnly being used to rebuild vital structures still suffering from damage.” (p. 4)

A serious problem is that Emperor Aidan was killed before revealing his long-range plans for Xayall’s eventual victory. The adolescent princess Faria, now “‘Empress’ (by itself an obsolete and criticised honorific)”, must create her orders for Xayall’s political and military rebuilding from her hospital bed, largely by guess.

With Faria and her loyal cyborg raccoon Tierenan hospitalized, and other supporting characters in Legacy busy offstage, Fracture features a new protagonist and cast at first. Bayer Kanjita, ocelot, and Kier, fox, are two young officers in Xayall’s hierarchy, the former guardians of Princess Faria and now her representatives from the hospital to Xayall’s government. Kier has just become a Counsellor of Xayall. The sovereign’s near destruction by Dhraka has made Xayall dependent on its allies for food and help rebuilding, mostly northern Andarn, the largest sovereign on the continent of Cadon (see the map):

“‘This is wrong,’ Bayer scowled. ‘We shouldn’t be dependent on them for help. We’ll be under their thumb soon. You can’t just sell us out to Andarn like this – they’ll never let go of the debt. Xayall needs to rebuild its strength from within.’

Kier stepped toward him, trying to keep covert. ‘I am not selling out. Our debt is a fate we and Andarn shared on the battlefield. We’re only alive because they defended us. At the very least Alaris [the representative of Andarn’s government to Xayall but hamstrung by Andarn’s feuding politics and Cadon’s continent-wide Senate] recognizes how close not just we, but all of Eeres, came to being destroyed. They’re not doing this to usurp our land or control us, they’re –’” (p. 26)

Captain Alaris Hiryu, pangolin, is the commander of the troops of Andarn assigned to help Xayall. The murder of an important Councillor of Andarn, at a time of tensions between Andarn and neighboring Tremaine, has resulted in Cadon’s Senate calling Alaris home. Bayer, who has grown tired of Xayall’s politics, offers to escort him to get out of Xayall for a few weeks. Captain Rowan Ibarruri (meerkat) of Tremaine’s army, a jovial friend of Alaris’, joins them. (The three ride reptilian mounts. “His [Bayer’s] steed, a tall, slim, dinosaur creature not unlike an ostrich, called an Anserisaur, reacted to his tension and would uneasily flick its head as they walked.” – p. 55.)

Bayer is shocked to find that Andarn’s politics are much more deadly than Xayall’s; and that Alaris, who he distrusted at first, may be one of the best foreign friends that Xayall has. When Rowan has to return to Tremaine, and Alaris looks to be in danger of being murdered, Bayer offers to continue escorting him on a mission that will take both of them out of Andarn to the occupied neighboring sovereign of Kyrryk to look for missing troops and supplies.

Fracture switches back and forth between what Bayer and Alaris find in Kyrryk, and unexpected dangers to Faria in Xayall. To give away one spoiler, there are villains who move about in the different uniforms of the sovereigns of Cadon, committing assassinations and other sabotage to cause the sovereigns to mistrust each other and destroy the continent’s Senate. The resonance power that saved Xayall from Dhaka in Legacy reappears dramatically in the last half of the novel:

“Defeated, [spoiler] turned to flee just as an arrow from [spoiler’s] bow shot through the air and pierced the back of his thigh. He collapsed to his knees with a yelp. A low boom echoed in the corridor, followed by a rush of air, and before anyone could tell what had happened, [spoiler] was holding his sword at [spoiler’s] neck, standing on the [spoiler’s] legs to prevent his escape. The [spoiler] growled fiercely.” (p. 177)

“Quickly the two went inside, moving past the heavy curtain that concealed the cave’s entrance. But far from being the cragged, tiny opening they were expecting, what met them past the threshold was more sinister than darkness.” (p. 189)

resonance_tetralogy___fracture_by_katiehofgard-dafexik-png

As with Legacy, Fracture (wraparound cover by Katie Hofgard) comes to a satisfactory conclusion; but without leaving any doubt that it is only Book 2 in the tetralogy. Book 3, Ruin’s Dawn, is next.

Fracture is enjoyable funny-animal melodrama. Jackson has some acknowledged unusual animals in his cast, such as Alaris the pangolin, who needs custom-made armour since pangolins are so rare. (Still, real pangolins aren’t nearly as large as the giant shown on Hofgard’s cover.) Jackson is still prone to adjectives and adverbs that imply sentience to objects and emotions: “bombs had spent their wrath”, “vital structures still suffering from damage”. He also likes really obsolete terminology. Besides calling nations sovereigns, there are “Slowly, unnoticed by the squabbling parties, he slid one of his bardiches from its ring on his belt.” (p. 31), and “He knelt beside her, his jinbaori rippling in the breeze.” (p. 149). But generally, meanings are clear enough from the context.

If you haven’t read Legacy, you’ll want to after reading Fracture; but this Book 2 does stand on its own nicely. It does come to a satisfactory ending – but wow! does it have a great grabber for Book 3!

–Fred Patten


Lost Archive: Legacy – Review by Fred Patten

When I first joined the Furry Writers’ Guild, one of the first people I took note of was Fred Patten. Many younger furries won’t know him, but he was instrumental in bringing both anime AND furry to the US, and as a result, even further afield. There would be so much less of everything we enjoy around us, if not for him. He is absolute undeniable proof that you can contribute to the fandom without a fursuit, or even a fursona. What he gave us is immeasurable.

Fred sadly passed away last year, but when he was alive, one of the things he enjoyed most was to review furry literature. I was honoured to have sent him my first two books, in exchange for a review of each.

The reviews had been lost previously, but in the spirit of Furry Book Month, to archive for my own purposes, and in honour of the approaching anniversary of his passing, I’m reposting the reviews in their entirety here.


Legacy, by Hugo Jackson. Map.719oQQeUPIL
Derby, England, UK, Inspired Quill Publishing, September 2013, trade PB $12.99 (v + 371 pages), Kindle $3.90.

The map of Eeres on pages iv and v shows only a few land masses amidst many oceans and seas; the result of a prehistoric cataclysm 2,500 years earlier. Millions were killed, the whole world was reshaped, and the few survivors were too desperately trying to survive to keep any civilization or record of the past. All that remained, when a new civilization began to come together centuries later, were legends of a glorious, hardly believable past, and of the unknown disaster that had destroyed it. And a name – Nazreal – of the only city from that forgotten past known (or believed) to have existed for sure.

As Legacy begins, all Eeres (or Cadon, its largest continent and the location of the more important independent city-states) is abuzz with the news that the latest discovery from pre-cataclysmic times may lead to the lost city of Nazreal itself. This sets off a hurricane of hopes and fears; hopes that some of the legendary benefits may be reintroduced to civilization, and fears that what destroyed the past world will also be found again. More troubling is that Dhraka, a city far to the southwest of Cadon, is where the ancient artifact has been found. Dhraka is also dominated by aggressive dragons led by the militant Fulkore Crawn. (The other city-states are inhabited by various furry mammals.) There are worries that Dhraka may follow up its discovery to find something that will allow it to take over all Eeres. Even if the discovery is useless, Dhraka could use its search for Nazreal as a cover for militaristic expansion.

Sinédrion, the most sophisticated city of Cadon and the social leader, is the venue of Eeres’ Senate where representatives of the different city-kingdoms debate. The usual boring debates are turned into a turmoil when Fulkore comes to ask (a thinly veiled demand) that the other cities help Dhraka in its search. He especially wants access to the archives of Xayall, the fox-led city that has been researching the legends of the past for centuries. But Fulkore refuses to describe just what Dhraka has found; also, Xayall is the closest city to Dhraka, and it has suspected Dhraka of wanting to annex it for a long time. Aidan Phiraco, the Emperor of Xayall, refuses to let any of the dragons inside Xayall.

Chapter 1 is misleading, because the protagonist of Legacy is Faria Phiraco, the seventeen-year-old daughter of Emperor Aidan. She is the child of a red fox father and a fennec mother, and a blend of both. She is the representative in Xayall of Aidan in his absence, and a student of science/magic, both of what has been rediscovered and of new developments; specializing in the use of crystals for resonance manipulation. Both Faria and her father suspect that, with Xayall’s formal refusal to help Dhraka, the dragons will begin unofficial warfare against them. Aidan is reluctant to let her leave the walled city any more for fear of assassination.

When Dhraka strikes sooner and more ruthlessly than expected, Faria must escape from the city, find allies, warn the other cities, and discover the secret of Nazreal.

In addition to Faria, major characters in Legacy include Tierenan Cloud, a cyborg raccoon whom Faria frees from Dhrakan mind control; Aeryn and Kyru, two wolf mercenaries; and their adversary, Vionaika, Dhraka’s sadistic commander; a hyena/feline/dragon hybrid. Tierenan, Kyru, and Aeryn are shown with Faria on the wraparound cover by Minna Sundberg (Finnish author/artist of the completed online anthro comic strip A Redtail’s Dream). The adventures of these four, and their pursuer, take them by land and sea across Eeres, from humble carts and boats to fantastic airships, meeting anthros from mundane mammals and reptiles (“An iguana and a sailfin lizard deftly scaled the sterncastle to attend to the three-pronged mast on top.” – p. 185) to Osiris, a gryphon.

Legacy ends with a lengthy, exhausting conclusion, but there is a happy ending. However, don’t relax yet, because this is only Book One of the Resonance Tetralogy. Books Two through Four will be Fracture, Ruin’s Dawn, and Resonance End.

Legacy is very satisfying. Jackson brings a complex and colorful anthro world to life. His descriptions are full of lush detail:

“They rounded a corner and descended a set of large, sweeping stairs; this was one of the main entrances to the building. Aidan could hear the bustling of the citizens in the streets outside.

When they reached the large iron door at the base, two bulky guards hauled it open, revealing the eminent city of Sinédrion laid out before them, colours ablaze in the late evening’s low vermillion sun. A large river curved majestically around the Senate chamber, wearing luxurious bridges like a uniform of office.

Their carriage awaited them: an elegant design in dark wood with green and gold trim. Tall, horse-like dinosaur creatures with long tails, Theriasaurs, stood proudly at its head awaiting their command to move. The Xayall emblem, a white fox on a shield of blue flame, had been carved into the vehicle’s doors. A troop of mounted soldiers were stood to attention behind it; a silent, respectful welcome to their Emperor.” (p. 13)

Jackson’s worst fault is an overuse of emotionally-charged adjectives and adverbs such as “proud bridges” (p. 15). They become pejorative when describing the antagonists, such as “[…] Fulkore, who, although keeping his body absolutely still behind the plinth, had a vicious fire in his eyes” (p. 9) and “the vile hyena” (p. 326). These make it overly clear that the antagonists are not merely antagonists, they are black-hearted villains. Some of the descriptions go on too long, such as the first overview of Xayall which covers a page and a half. A few words are misused; the losing side in a fight is constantly being “decimated”. A full-page About the Author identifies Jackson as living in Raleigh, North Carolina, yet Legacy is full of British spellings and from an English publisher. There are occasional very old-fashioned constructions, like “were stood to attention” that most authors haven’t used in a century.

These are minor nitpicks, however. Basically, this is a fast-moving, richly-detailed adventure set in a colorful anthropomorphic world. Legacy is worth reading.

– Fred Patten

Legacy is available worldwide here

Bright Young Things

So I’m really into Wakfu now. For those who don’t know it, it’s a French animated series based on an MMORPG (or MMPORG, if you get the reference), and stars a young Eliatrope (being who can control portals) called Yugo. He’s awesome. He hadn’t been on the screen for more than a few seconds (well, after we saw him as a baby) and I’d already decided I had enough of an affinity with him to cosplay him in the future, because he’s that damn cool. He’s kind and optimistic and capable, and I’m actually a little blown away by how taken I am with him. Maybe I shouldn’t be surprised though, because I am still dedicated to the Mysterious Cities of Gold series, and Esteban was full of exuberance and adventure and good will, even if he did tend to get himself into danger a lot. Naruto is a similar character, albeit a lot more outspoken and defiant (and rude). And the original Avatar: The Last Airbender series followed Aang, who had nothing but compassion for the world, and struggled to see it brought to peace, and was dedicated to making his friends happy and safe. He’s my favourite part of that three-series journey, as he leads it perfectly.

He puts the AANG in Prot-Aang-onist. Wait, let me try again...

He puts the AANG in Prot-Aang-onist. Wait, let me try again…

It just brings to mind the reactions people have had to Legacy; specifcally to Tierenan, the deuteragonist (of sorts) who travels with Faria and follows her adventure.

A Hero Who Didn’t Know He Was A Hero

Without exception, everyone who’s spoken and written to me about Legacy has told me how much they like Tierenan. He’s run away with my audience, heh. And he deserves it- he’s a very cool guy, and I don’t think any of the other characters would complain that he gets as much praise as he does. The weirdest thing to me is that he was the character I planned least. He just happened. I didn’t spend ages constructing a specific development arc for him within Legacy or honing his personality. He came as he was and fit in perfectly. I’m really grateful for that, because if I’d tried to write him, I probably would have ruined him.

And we all know how that turns out.

And we all know how that turns out.

The people who know me have said that he’s me, but I always saw myself as Alaris; not a main character, for one, and also more of a support role and a play-as-much-by-the-rules-as-possible sort of person. The more I think about it, though, the more I realise there’s more in Tierenan than I first anticipated, whether it’s reflective of me or not.

When I first wrote Legacy I kind of brushed him off as someone to fill in the gaps between Faria, who carries the main narrative, and Aeryn and Kyru, whose story I had been invested in since the very early concepts (even before any of them were animals). To a degree, I figured that what he said either wouldn’t matter or would be there as a commentary to prevent the whole thing from being too serious. I always wanted him to be likeable though, and not as artificial as a lot of obnoxious Disney comedy placeholders are. But through spending time with him, I think specifically because he wasn’t constrained by preconceived plot ideas, he took a shape of his own that reacted to the environment and the other characters. It really was a more natural progression for him, and I wasn’t even aware of it.

One thing remained constant, though: his unfaltering hope. I’ve always wanted my stories to be full of hope, and he is the sole character that carries it from the moment we meet him. I think people fall into the trap of making stories dismal or harrowing or unpleasant, especially for young adults, and they focus so much on the loss of innocence and certain cruel realities of the world for no reason other than to be evocative. It’s probably what irritates me most about the direction the Harry Potter series went in, especially in the final book. War begets casualties, of course, but stories are such an investment for the reader. Killing off everyone you care about (and not even giving them a final justification or battle scene) doesn’t make you fulfilled as an audience member. Personally, I find it very unsatisfying. Especially for young adults who’re about to make their mark on the world, they shouldn’t be discouraged from trying, or from dreaming big or wanting to protect or include everyone. There’s already so much cynicism in the world, and I think the ones who will change it need to be given hope. Not promises, but hope.

Hope can be a powerful force. Maybe there’s no actual magic in it, but when you know what you hope for most and hold it like a light within you, you can make things happen, almost like magic.”- Laini Taylor, Daughter of Smoke and Bone

I’m really glad that Tierenan is liked so much. It’s humbling to me. I want to keep his light going in the rest of the books, and it would be an honour if he was talked about in the same way that Aang and Yugo and Esteban and Natsu and Groot are some day. And not just by me :p

We're on the fence about you, boy.

We’re on the fence about you, boy. Haven’t forgiven you for the weird plot developments.