I’ll Hold You To That

The title was something someone said to me when I confirmed I’d hopefully be able to update them on a project towards the end of the week. I don’t know if it can be considered innocuous or if I’m just stressed, but it really pissed me off. Probably unnecessarily so. I’m working pretty hard at the moment (although I’m not sure I’m able to say specifically in what capacity), doing a lot of things for other people, and for one that I’ve already been helping both automatically and at their request to say that felt… like a kick up the arse, but not in an encouraging way that I normally appreciate. There’s a group of around a dozen people I’m working with/for, a lot of whom I haven’t been able to touch specifically because I’m working on projects for both this person and someone else. It just jades me when I felt I had started to get on top of things.

I guess you can always do more. But it’s not like I don’t have my own stuff that I really want to finish. I’m a little over a third of the way through Fracture’s edits, and there’s some amazing cover artwork for it that’s coming on really well that I’m desperate to show everyone. And even aside all that, I have an enormous laundry list of projects that I want to finish in my lifetime one way or another.

I actually have a pillow on my desk for this very purpose

I actually have a pillow on my desk for this very purpose

My Wish List

This one’s a little flipped round, because this is a wish list of things that come from me, not to me from others. This is what I have in my head at any give time, for all the projects I want to do. This might explain why it annoyed me so much.

Writing

In the Resonance Tetralogy
Fracture (in edits)
Ruin’s Dawn (started)
Resonance End (plotting)
Spiritus Ex (plotting)

In The Song Chronicle of Thera (Steampunk series)
Firesong: Ballad of Phoenix the Blade (started)
Moonsong: Fugitive of the Snow
Therasong: Heart of the World

In Clandestine
Book One: Protectors
Book Two: Shieldbreaker
Book Three: Tears

Other writing projects
Fantasy Stereotype High School (plotted)
Aeterno (plotted)
Foundation (plotted)
If You Think That’s Hell, You Should Try Working Here (plotted)
The Story of Phoenix the Mechanical Werewolf and Tohru the Electric Corgi: A Steampunk Children’s Tale (drafted, published on Tumblr; would like to get illustrated some day)

Being even half this productive would be great right now

Being even half this productive would be great right now

Costume Projects
Rocket Raccoon (2-3 outfits)
Steampunk Werewolf Mk III (because two isn’t enough punishment for me, apparently. It’s just the head, though. Probably)
Pangolin Fursuit
Mega Lucario
Yugo (from Wakfu)
Mystogan (I swear if it doesn’t work this time I’m going to kill you, you bastard)

Miscellaneous
Voice acting projects, auditions are always ongoing). I’ve been really lucky to be involved with some great productions so far, not least of which includes guest narration of episode 484 of the fantastic Escape Pod podcast. My episode is called That Tear Problem, by Natalia Theadoridou, and you can listen to it here
I have ideas for various comedy podcasts that I haven’t even been able to plan yet, but they’re a distant second to every other item on this list at the moment.

And this doesn’t even mention the stuff I do for work. How hard I work will determine what I get paid. I order for this to be sustaining, I need to dedicate time to my work, or I lose the opportunity to take time to work on what I want to.

In terms of deadlines, only one of these has a specific time limit aside from my work work, and that’s the Rocket Raccoon costume, which I want to get done for Animazement at the end of May. Fracture, unfortunately, while I will get the edits done as soon as I can, may sit impatiently for its release window, as my publishers are fully booked for this year’s novel releases. Small presses have immense respect for artistic integrity, and there’s nobody I would trust more than Inspired Quill with handling my books, but unfortunately it’s partly the nature of the beast that you can only manage a certain number of releases per year until you can widen your foundations. I have always wanted to keep my books affordable and if I self-published it, I’d be forced to charge a fairly unreasonable minimum price to get a markup that would earn me a living.

Pictured: current events

Pictured: current events

So while I know I’m not always great at keeping with things, it’s not like I’m being lazy. Please don’t accuse me of that. If I’m TRULY not doing anything, I’ll have to convince myself that I might actually deserve it, even just for a little while.

Because if there’s one person who has always told me ‘I’ll hold you to that,’ and unforgivably so, it’s me.

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Endings and Beginnings

It’s been a while since I last posted in here, and there I was thinking that I’d turned over a new leaf in productivity.

Well, I have now!

Fracture’s manuscript is finally finished. It needs editing and it’s a little shorter than Legacy so far, but there’s a lot in there. I hope I can do justice to all the great comments people have been sending my way. Thank you again for all your encouragement. It means the world to me.

To give some background as to what I’ve been up to and why this is ACTUALLY different: I quit my full-time job to write; specifically to finish up the Resonance Tetralogy and dedicate myself more to my passions and try to make them part of my living. They’ve been in my head and part of my dreams for such a long time. I couldn’t take having to restrict myself from them any longer. I’ve been very lucky to be supported in this, and I will try my hardest to get everything finished quickly. I think I’ll have a much greater incentive to do that from now on. No distractions, no excuses. Except cosplay, but that won’t take over my life so extensively. I swear.

funny-anime-girl1

This happens a lot when I’m writing. Or making costumes. Just generally.

So, what happens now?

I write. Passionately and extensively. I’ll also pepper this blog with updates so everyone can know what I’m up to and what the status of the book is, where you can get it from, and various other things I’m doing either in conjunction with Resonance or separate from it. This’ll mainly stay a creative blog though. But I’m always happy to answer questions, and if something is of particular interest to me I’ll make an article out of it. I’m looking forward to that.

Plus there's that real world crap to catch up with. Ugh.

Plus there’s that real world bollocks to catch up with. Ugh, I’m so behind.

So, as a teaser for the next few weeks/months… you guys like artwork, right?

Cool.

I will be pre-emtively excited while dropping infuriating hints, to you all, bwahaha.

I will be pre-emptively overexcited while dropping infuriating hints to you all, bwahaha.

 

Bright Young Things

So I’m really into Wakfu now. For those who don’t know it, it’s a French animated series based on an MMORPG (or MMPORG, if you get the reference), and stars a young Eliatrope (being who can control portals) called Yugo. He’s awesome. He hadn’t been on the screen for more than a few seconds (well, after we saw him as a baby) and I’d already decided I had enough of an affinity with him to cosplay him in the future, because he’s that damn cool. He’s kind and optimistic and capable, and I’m actually a little blown away by how taken I am with him. Maybe I shouldn’t be surprised though, because I am still dedicated to the Mysterious Cities of Gold series, and Esteban was full of exuberance and adventure and good will, even if he did tend to get himself into danger a lot. Naruto is a similar character, albeit a lot more outspoken and defiant (and rude). And the original Avatar: The Last Airbender series followed Aang, who had nothing but compassion for the world, and struggled to see it brought to peace, and was dedicated to making his friends happy and safe. He’s my favourite part of that three-series journey, as he leads it perfectly.

He puts the AANG in Prot-Aang-onist. Wait, let me try again...

He puts the AANG in Prot-Aang-onist. Wait, let me try again…

It just brings to mind the reactions people have had to Legacy; specifcally to Tierenan, the deuteragonist (of sorts) who travels with Faria and follows her adventure.

A Hero Who Didn’t Know He Was A Hero

Without exception, everyone who’s spoken and written to me about Legacy has told me how much they like Tierenan. He’s run away with my audience, heh. And he deserves it- he’s a very cool guy, and I don’t think any of the other characters would complain that he gets as much praise as he does. The weirdest thing to me is that he was the character I planned least. He just happened. I didn’t spend ages constructing a specific development arc for him within Legacy or honing his personality. He came as he was and fit in perfectly. I’m really grateful for that, because if I’d tried to write him, I probably would have ruined him.

And we all know how that turns out.

And we all know how that turns out.

The people who know me have said that he’s me, but I always saw myself as Alaris; not a main character, for one, and also more of a support role and a play-as-much-by-the-rules-as-possible sort of person. The more I think about it, though, the more I realise there’s more in Tierenan than I first anticipated, whether it’s reflective of me or not.

When I first wrote Legacy I kind of brushed him off as someone to fill in the gaps between Faria, who carries the main narrative, and Aeryn and Kyru, whose story I had been invested in since the very early concepts (even before any of them were animals). To a degree, I figured that what he said either wouldn’t matter or would be there as a commentary to prevent the whole thing from being too serious. I always wanted him to be likeable though, and not as artificial as a lot of obnoxious Disney comedy placeholders are. But through spending time with him, I think specifically because he wasn’t constrained by preconceived plot ideas, he took a shape of his own that reacted to the environment and the other characters. It really was a more natural progression for him, and I wasn’t even aware of it.

One thing remained constant, though: his unfaltering hope. I’ve always wanted my stories to be full of hope, and he is the sole character that carries it from the moment we meet him. I think people fall into the trap of making stories dismal or harrowing or unpleasant, especially for young adults, and they focus so much on the loss of innocence and certain cruel realities of the world for no reason other than to be evocative. It’s probably what irritates me most about the direction the Harry Potter series went in, especially in the final book. War begets casualties, of course, but stories are such an investment for the reader. Killing off everyone you care about (and not even giving them a final justification or battle scene) doesn’t make you fulfilled as an audience member. Personally, I find it very unsatisfying. Especially for young adults who’re about to make their mark on the world, they shouldn’t be discouraged from trying, or from dreaming big or wanting to protect or include everyone. There’s already so much cynicism in the world, and I think the ones who will change it need to be given hope. Not promises, but hope.

Hope can be a powerful force. Maybe there’s no actual magic in it, but when you know what you hope for most and hold it like a light within you, you can make things happen, almost like magic.”- Laini Taylor, Daughter of Smoke and Bone

I’m really glad that Tierenan is liked so much. It’s humbling to me. I want to keep his light going in the rest of the books, and it would be an honour if he was talked about in the same way that Aang and Yugo and Esteban and Natsu and Groot are some day. And not just by me :p

We're on the fence about you, boy.

We’re on the fence about you, boy. Haven’t forgiven you for the weird plot developments.

Inspiring Teens Blog Hop Interview

Back in October last year, I was asked to participate in the Inspiring Teens Blog Hop, a multi-blog extravaganza of author interviews and book discussions organised by Greta Burroughs aiming to encourage teens to read. Unfortunately the site my interview was hosted at is no longer working, but I enjoyed the opportunity to take part very much. It meant a great deal to be able to discuss my passion and share my work, so I saved a copy of the interview, and here it is:

Inspiring Teens Blog Hop interview (Originally hosted by Kate Bainbridge on read2review.com)

1. Reading

Why do you think Teen Read Week is important?

Reading is such an important tool- more than being a basic life skill in communication, it opens you up to such wonderful worlds of creativity that, today, can be so easy to avoid through computers, TV, games, and everything else that encourages a simpler, more graphic interaction. It goes without saying that everyone needs to read just to keep on top of things on a daily basis, but particularly the opportunity and ability to read books is such a rich and rewarding experience that nobody should miss out on.  I’d have so much less of myself now if I hadn’t read when I was younger, and I’m always grateful for the amount of self-development and inspiration I gained from books.

How do you think we could encourage youngsters to read more?

I think giving them something, be it a story or a character, that inspires them will make the biggest difference. You only need to look at the success of a series like Twilight to see how many young women were dreaming of a ‘perfect’ guy to fall in love with- as much as tastes differ, you can’t argue with the power of that inspiration even on a basic level. I’d challenge anyone who read Harry Potter who didn’t at some point during their journey want to be a wizard. There has to be a fantasy, an escape, an adventure, or something, that really speaks to them. But you need variety. If you don’t like vampires (like me), being sat in front of the teen paranormal section in a bookshop isn’t going to encourage you to read anything. I get frustrated with the prevalence of fads in fiction that essentially restrict the creative outlet for audiences. So there has to be something, even a single book, that lights a fire within and makes you want to dive straight into that universe.

When you were a teenager what books did you like to read and did you have an all-time favourite character?

I loved fantasy and adventure books. The ones I read time and again were The Deptford Mice trilogy by Robin Jarvis, particularly the first book- The Dark Portal. Mr. Jarvis was a major influence on my imagination and writing style; I was about six or seven at the time and even though I’d read books like Enid Blyton’s Famous Five series, it wasn’t until I read The Dark Portal that I found such deep inspiration. I devoured that trilogy and the Deptford Histories books that came afterwards. Thomas Triton was my favourite character throughout it all- a mouse who lived on the Cutty Sark with a needle for a sword (I was also obsessed with fencing and sword fighting, you see). My friends all liked the characters who were supposed to be around our ages, and Thomas was much older, but it didn’t bother me to pretend to be him when running around the playground or at home. He was just that cool to me. I went bananas when he had a whole book devoted to him in the Histories series.

2. Writing

Were you writing as a teenager? If so, what were you writing and what inspired you? Did a person inspire you to write?

When I was about two or three my older sister would write and illustrate simple stories for me when I was upset, or just because she loved art.  Somewhere I think there’s still a half-finished story about a fox in a cage that she began for me! So I’d been exposed to storytelling and shaping dramatic narrative for as long as I can remember. But I played around with stories with my various toys from a very young age as well. I’d get frustrated when a favourite character of mine in a TV show was ousted for the show’s star- a lot of 80’s and early 90’s cartoons had the one singular hero who did everything and the secondary characters were essentially cheerleaders for the most part aside from their obligatory one-episode-per-season showcase, and my issue was that I often preferred the secondary characters. So in my games I’d make sure all of the characters had a role, and that continued into my first ‘serious’ writing when I was about thirteen and started on fanfiction. Essentially if I wasn’t happy with how a show or book I was into was going, I’d invent my own, and from that, once I learned the basis of a story and how to create a unique world, I began developing my own original ideas.

My biggest non-book inspiration was probably the TV series The Mysterious Cities of Gold, which still has a profound effect on me when I hear the music or see any clips. I take huge inspiration from music, and my collection of orchestral scores is vast and varied. I have anime, video game, movie soundtracks and will swipe whatever songs inspire me even if I’ve never heard of the band before.

Do you think today’s teens are in a better position if they want to be a writer than you were all those years ago (hee hee)?

Definitely. I think the potential for imagination has always been there, but there’s such a rich library of creativity to take from nowadays that there’s no reason for anyone not to be inspired. And you can be inspired by anything- movies, music, TV, video games, books; it doesn’t have to be just written down. I feel like I read far less than most other writers I know, but it hasn’t curbed my imagination or ability to write. When I told people that I wanted to be a writer and subsequently revealed that I hadn’t read Lord of the Rings, they were shocked, as if I was supposed to be physically unable to write fantasy until I had. I still haven’t, by the way, and I don’t regret that- I don’t need it, and nobody that knows you should tell you what you can and can’t study for inspiration. The amount of resources and support available to writers now is incredible- there’s nothing that should hold you back if you want to try.

What advice would you give a youngster who enjoys writing?

Watch intently, listen carefully, and don’t be afraid to question anything in front of you. Encourage yourself to enjoy something fully, and if you don’t then ask yourself why and break down what you would have done differently. Think about how that would change the outcome, and plan it out from there. You can even work backwards: think about something you’d like to see happen in the series/show/book/whatever, and decide how you’d begin that plotline. I’d encourage anyone to write fanfiction if they want to. It’s an easy way to get started with story construction and character creation, and you can change story elements at will without worrying hugely about your basic setting. It’s a sandbox environment for writing, and a great development tool. One thing that helped me, is, when watching TV shows or movies, or playing games, is to always have the subtitles on. It a great tool for reading dialogue and ‘seeing’ how it’s constructed instead of just hearing it.

3. Your books

What is your latest book about?

My latest book is Legacy, the first in a series of four books (collectively called The Resonance Tetralogy) set in a fantasy world, Eeres. Much like The Deptford Mice trilogy and the Redwall books, the characters are anthropomorphic animal species. Here’s the blurb for you:

“Her power is unmeasured. Her abilities untested. Her destiny inescapable.

Faria Phiraco is a resonator, a manipulator of the elements via rare crystals. It is an extraordinary and secret power which she and her father, the Emperor of Xayall, guard with their lives.

The Dhraka, malicious red-scaled dragons, have discovered an ancient artefact; a mysterious relic from the mythical, aeons-lost city of Nazreal. With their plan already set in motion, they besiege Xayall, pummelling the city to find Faria and rip more of Nazreal’s secrets from her.

When her father goes missing, Faria has to rely on her own strength to brave the world that attacks her at every turn. Friends and guardians rally by her to help save her father and reveal the mysteries of the ruined city, while the dark legacy of an ancient cataclysm wraps its claws around her fate… and her past. She soon realises that this is not the beginning, nor anywhere near the end. A titanic war spanning thousands of years unfolds around her, one that could yet cost the lives of everyone on Eeres.”

Are you working on anything new at the moment?

Currently I’m working on Legacy’s second and third sequel novels, Fracture and Ruin’s Dawn, and a trilogy of Steampunk books called The Song Chronicle of Thera, set in a world where geothermal energy can be harnessed to give mechanically-augmented warriors extraordinary power, and the incredible battles fought to protect the world from total destruction.

And there are about seven other stories all trying to get out of my head too. Writing just one or two at a time is very difficult when there aren’t enough hours in the day.

What do you love about being an author?

Your imagination is completely free. You have license to create anything in your head that you want to. You want a talking cake? Done. Evil guinea pig from another world? No problem. A cursed, blood-sucking pen that traps its users’ souls forever in paper? Sure. Anything is yours to create, and it’s a wonderful feeling. You’d be amazed how liberating it is to have a story before you, however long it is, and know that you created that entire world. You begin to see worlds behind and within other worlds, and even in reality you see so much more than face value. Everything becomes richer, deeper, and all of the things that inspired you before become that much more enjoyable for knowing how they’ve affected you. The absolute best part, though, is when people start telling you how your work inspired them in turn, and, unprompted, start linking your work back to your original inspiration, or something else that inspires them too, something new to you that helps open a completely new facet to your world. That is one of the most rewarding experiences I’ve ever had, and I hope to create many more.

TRUKK NOT MUNKY Omnibus: Parts 2 and 3

Well… almost exactly three years since my last post is atrocious, and while I could say ‘life’ is my excuse, part of my life has always been writing, so unfortunately that ‘life’ section has been devoid of one of my major passions for the most part. Oh, except…

LEGACY WAS PUBLISHED IN PAPERBACK OH GOOD LORD.

This is definitely an announcement I should have made at the time, but things were crazy busy. Inspired Quill Publishing took me up, mostly thanks to the amazing communicative skills and passion of the editor-in-chief Sara-Jayne Slack, who deserves amazing props for the business she’s masterminding. I have a real respect and awe for her work and the publisher’s mission, which, after having vowed to only self-publish, is why I have dedicated my loyalty and writing to their front lines.

Now I need to dedicate myself a little more *pulls socks up, but not too high because it’s hot and humid here*

This is the Amazon.com paperback link. It’s re-edited, reformatted, and reinvigorated me to no end. The new edition is also available on Kindle, and both separately from the Amazon UK store too.

So, in the spirit of reinvention and improving efforts to fulfil my passions, I’m actually writing a blog post, something which has been on my to-do list for the aforementioned three years. It’s a long time to have a psychological debate sitting in your head, and I’m hoping that getting it out will make room for more creative endeavours. Like finishing Fracture, which is almost four years in the making.

But it is almost done already. The first draft, anyway.

TRUKK NOT MUNKY Part 2: Steampunk

Steampunk is kind of the British Empire of fandoms. It’s invasive; it can be considered elitist to outsiders; it’s silly in a posh sort of way; it’s difficult to explain to someone who has no idea what it’s like, and it can make everything more versatile with the addition of its unique but varied accents. I’m not considering that anyone currently reading the blog doesn’t know what Steampunk is, but the most succinct definition I can give is: a genre of science-fiction (or fantasy) as seen from a Victorian or pre-Victorian point of view, typically embellished with steam power, clockwork and brass.

To recap from the last entry, the first experience I had Steampunking was at one of the London Expos and I received compliments about my costume, and in some of the same breaths, disparaging comments about furries. I’ve been trying to come to terms with where I am in the fandoms and wondering how safe it is to have feet planted firmly in both whilst not associating with the elements I’m not personally comfortable with in either.

I’m glad to have had more experience in fandoms since then, and for me, this has developed into an entirely different argument than what I was expecting over the last three years.

The experiences I’ve had with Steampunk have been excellent, mainly. The fans are passionate, silly, and incredibly talented (which, admittedly, is where I considered some of the elitism to be simply because some of the costumes require such intricate mechanics and constructive processes. This is also the case with furries though- I could never make a fursuit as amazing as some of the ones I’ve seen online, and nor could I make a decent, working hydraulic thingummy that lights up a la Hellboy II like other Steampunks have). Part of the launch parade for Legacy involved sitting at the Inspired Quill table with my book at the Lincoln Asylum, a city-wide Steampunk convention in northern England which has a reputation as one of the best Steampunk events to go to in Eurpoe. I was really nervous. My book has Steampunk elements to it (Tierenan, for one, and the Gargantua for another), but ostensibly it’s a fantasy, and a furry fantasy. I was terrified that I’d be getting stink eyes from everyone who passed and was ready for a real fight if someone decided to get bitchy, so I steeled myself and stayed determined to have a good time despite my misgivings.

Welcome to the Asylum… Oh, it’s you.

It’s a self-compounding issue with paranoia that it heightens your sensitivity to expressions and actions that may mean nothing at all if you were completely calm. You can’t be objective, and, in your mind, everyone sways between either consciously ignoring you or talking about you out of sight, when in reality you probably barely even registered on their radar. A large part of my time was spent smiling at people and making general happy comments, and directing people to my fellow author Craig Hallam‘s Steampunk book Greaveburn, as, you know, Steampunk.

Having said that, I tried hard not to act on my assumptions that I’d be chased out of town with a variety of interesting, ornate, and fragile weapons and fought myself into accepting my book as a fantasy that people can enjoy as genre fantasy. I can be proud to tell people it’s not got any sex in it, and no, not all furry stuff is like that anyway. True enough, there were people looking at it with genuine interest. They’d pick up the book and read the blurb and nod and smile, and I sold a few too. There was one lady who came round about three times trying to decide on it, eventually picking it up at the end of the weekend. The people who bought it looked genuinely interested and passionate, and it was a wonderful feeling.

Inevitably, I did come across those moments I’d been fearing, although they were more subtle and sparse than I had anticipated. There was a man with his family who picked it up and said he didn’t like ‘furry stuff’. I told him that I never wrote sex because I found it objectionable, especially in young adult fiction, but he was still fairly dismissive of it even though his daughter seemed to like the artwork. There were people who raised eyebrows, and at least one who made a comment along the lines of ‘Hah, no!’ when he saw it. Recently, utterances like that really frustrate me, to criticise someone’s passion like that. Even if it had been The Furry’s Ultimate Book of Disgusting Porny Porn, someone really cares about that and its freedom of expression. I wouldn’t ever buy it, but I also wouldn’t scorn the author who wrote it or the fans who’d pick it up.

We’re All Mad Here

Moving back to the States, and the subsequent ability to sell my book to coworkers, and discuss my stories in interviews, has helped boost confidence in my abilities, my passion, and my stories to the point where I’ve met more people on both Steampunk and Furry sides who share the same passions, and actually, I’m beginning to see less of a difference between fandoms, and more between individuals. Everyone has their own standpoints on infinite issues, and while people who gravitate towards certain interests may have certain personality traits, there’s no uniformity across any of it.

When I started this blog rant, I was assuming there would only be aesthetic differences between the two, but considering the mindsets, that it would be a hard slog trying to bring two fandoms together in a weird niche market. But as Furry and Steampunk are colours that any genre can be painted with, the potential already exists. There’s probably more Steampunk in Furry art than the other way round, currently, but Steampunk is a technological tweak rather than a fantasy race, so lends itself more to the accessory than the subject. But overall, five things came to mind:

Prejudice is universal. Across all fandoms, people will be prejudiced against others, with no necessary indication or reason. And with prejudice comes conflict. This can be curbed through meaningful and respectful discussion.

Sexuality is universal. Arguing that furries are more sexually inclined than other fandoms is incorrect. The sexualisation in anime, movies, and comics is rampant, but major publications keep things barely within the modesty line for it to be acceptable. And it’s humans, so that means it’s normal, right? Right.

(Sexism is a whole ‘nuther rant, by the way, and one I’ve become very passionate about recently)

Creativity is universal. It knows no boundaries. Mash-ups are awesome.

Passion is universal. In every fandom you will find someone for whom this is the best thing in the world, bar none. There will be no greater thrill or love for them.

Acceptance is universal. Among the minefield of treading your dreams, there’ll be people who’ve never heard of you or your interests who’ll still be blown away by the scope of your accomplishments, or at the very least, give you all the encouragement in the world, simply because they know they have the same level desires that you do, even for something completely unknown to you.

I learnt a lot over three years.

Preface

Featured

Welcome to the blog and website of Hugo Jackson, author of The Resonance Tetralogy, and general creative person. Please feel free to explore the site as you please, and don’t be afraid to comment!

BOOKS:

Legacy, Book One of The Resonance Tetralogy

Amazon (US) | Amazon (UK) | Barnes and Noble | Inspired Quill (Worldwide shipping)

Fracture, Book Two of The Resonance Tetralogy

Amazon (US) | Amazon (UK) | Barnes and Noble | Inspired Quill (Worldwide shipping)

Social media links:

Tumblr | Facebook | Twitter

If you have found me at a convention and want to tag or follow my cosplay stuff on Facebook, you can find me here:

BritFang Cosplay

TRUKK NOT MUNKY Part 1: Furries

Welcome to the first of my three-part blog post about Steampunk and Furries, two very differently-perceived science-fiction and fantasy subgenres, both with large internet fanbases and not a great deal of exposure in the mainstream media. I’ll be doing some comparisons, and trying to break down with can make both of these seem somewhat… unapproachable at times to people unfamiliar with the cultures, and why they can seem to be at odds with each other.

To explain first, the title ‘TRUKK NOT MUNKY’ is an internet meme popular with Transformers fans (well, at least people familiar with the tfwiki), relating to the advent of the new Beast Wars series in which the principal character Optimus was incarnated as a gorilla rather than a lorry. It’s an argument that’s both supportive and derisive of people who object to change within a given mythos. A more elaborate explanation is given here: http://transformers.wikia.com/wiki/Trukk_not_munky

To give this some personal context, I was into Beast Wars before Transformers, and entered into a sort of retrospective fandom. I did own original Transformers (well, Generation 2, I think), but didn’t watch the series. I bought the animated movie after getting into Beast Wars and Beast Machines, which in my mind are actually better for character development and overall plot, setting, etc. So I get frustrated when people go on abusing things just because they’re different. Franchises (and fandoms, too) need to evolve or they become dead in the water and left behind, practised by gnarled, over-protective fans with a fear of moving on.

Incidentally, I adore the TF Wiki. And Shortpacked.

So this post stems from a debate I’ve been having with myself for some time. After I attended the London Expo back in… October 2009, I think it was, in my first Steampunk costume, I was looking around the Steampunk panel and so impressed a Steampunk artist that he drew me and my impossibly heavy weapons. We talked, and I was really excited that he liked my Phoenix, but then he dropped in something that really threw my perceptions of the fandom. He was admiring my saw, and asked me if I wanted to join them later, as they were going on a ‘furry hunt’, and followed with something mildly disparaging that I don’t really remember. returning home, and looking about on some Steampunk forums I noticed some hostility towards furries, and it kind of worried me. I don’t know whether that’s just the internet in general, mind you- being still a relatively fledgeling fandom, Steampunk is likely to generate hardened internet loyalists before anyone newer to such subcultures.

But still, having written Legacy, and continuing the tetralogy whilst creating my Steampunk series The Song Chronicle, is there a place for me in both fandoms, or will I end up being ignored by both? One is a fandom fixated with animals, the other with vintage technology. Can they mix? What creates the tension between them? This we shall examine…

Man’s Best Friend
I’ll admit, for having written Legacy I haven’t given much attention to furries in my blog posts here, and I’ve put myself at somewhat of an imposition trying to distance myself from the connotations that the word ‘furry’ carries with it. But how justified is the prejudice? How different is the internet subculture that seems to be vilified on the same level as criminals and the most perverse of Internet lurkers? Actually…

In brief, a ‘furry’ is a fan of anthropomorphic fiction, artwork, movies, costumes, music and/or individual characters- principally depicted by animals or animal-people, or, more loosely, people with animal characteristics. But be warned, there are key distinctions that people on either side would gladly take you to task for if you incorrectly categorised them. ‘Anthro’ and ‘Furry’ have a slight distinction in their definitions too, if only to serve to separate something considered more mature from the stigma of ‘Furry’ by itself. ‘Anthro’ is likely the correct term and ‘Furry’ is the adopted nickname. I actually see them as different myself, but I’m in a position where I want to make that distinction, so I can’t exactly be called unbiased.

Po-Ta-To, Po-Tah-To; Anthra-to…
So it’s a selfish distinction, but I think it’s an important one. To me, ‘anthro’ dictates something deliberately given anthropomorphism in a reality or story to distinguish them from humans. Examples to me include Watership Down, Mrs Frisby and the Rats of NIMH, Dogsbody and Warrior Cats. They’re still fantasy, but kind of… milder fantasy, I suppose, something not quite so heavily caricatured, and still within the context of a human world. They keep their basic animal physicality, for the most part. Which would make stories set in an entirely animal world, given personalities and physicalities (such as bipedalism, non-digitigrade legs, clothes and/or armour) ‘furry’. Like Redwall, and, um, Legacy. So I’ve kind of defeated my own logics there, but oh well. Maybe I should learn to embrace furry a little more and make more of it. Maybe at the same time I can be encouraged to break the mould of furry fandom and convince others it’s not all about the porn.

(NB: In researching my post, I came across an old but really interesting list of Furry Novels, where the books are separated into ‘Animals Acting Intelligently’, ‘Intelligent Animals’ and ‘Intelligent Animalmorphs’. It’s really interesting to see, and probably a more succinct description than I have, in all honesty. See it here.)

Essentially the terms are interchangeable. But it depends you as to how you want to address it, and the fans themselves as to how they want to be perceived. I’ve said before that I’m not a furry, and that’s true (even though I twice cosplayed as Tony Tony Chopper from One Piece), but I have talked to a fair few. They’re really nice for the most part, if sometimes shy, secretive and a little cliquey (considering the abuse they can get from wider society, it’s not surprising, really), and it’s a shame that the whole group gets vindicated because of the mire of porn that hangs around. It’s not as if anime was any different when that was breaking out. For a time ‘cartoons or animated porn’ were its only descriptors, but now it’s turned into a pretty well-rounded subculture and genre-crossing medium. And furry is the same- you have kids’ films like Kung Fu Panda or Robin Hood, and currently My Little Pony, and then… the internet. And very little inbetween, save for what small efforts computer games and anime make to generate interesting anthropomorphic characters.

Like any subculture, or culture as a whole, furry has its weirdos with obscure, sometimes disgusting fetishes and has a fair share of introverted, defensive spokespeople and antagonists who just look to hate on it for its differences. But anime is exactly the same, and so are other fandoms. Complaining about furry gay porn and then singing the praises of ‘artistic’ shonen-ai or yaoi (‘young boy’ and gay manga/anime respectively) is somewhat of a double-standard: no matter how it’s dressed up, porn is porn.

Having said that, I can understand some of the reasons why furry generates slightly more detractors.

It’s The Fuzz
Before we even get into the obvious divisions between perceived bestiality and ‘normal’ sexual tastes, there’s something more emotionally intrinsic within furries. Going back to my ‘Werewolves vs Vampires’ post, it seems like there’s an introversion more inherent in furry than other fandoms, and that for a number of reasons. If you’re looking at the characters themselves, they’re able to wear their ‘inner selves’ on their sleeves, as it were, because the animal becomes a representation of a particular psyche. Not only have you got the cultural and spiritual associations of the animal itself, but you have the natural aesthetics of the creature, and that creates self-confidence. Combine this with the ideas that instinctive behaviours become more acceptable to show in this form, and you have a fantasy to escape to.

Fair enough, this doesn’t go for all people- I’ve never had a ‘fursona’ and I’m sure a lot of people don’t. For me, I love the looks of the animals and enjoy creating variety in characters and story as a result- they’re visual (or literal) representations of the characters. But for others, it must be a huge release, especially with the internet opening up the world to people with undernourished social skills or contacts. Let’s face it, who hasn’t been shy and self-conscious at some point in their lives, especially during puberty? But I think the people who wear the costumes, moreso than people who just draw or appreciate the artwork, wish to be accepted for what they want people to see of them, and use the costume to create that, rather than the costume itself.

It’s interesting from what I’ve seen of furries, they tend to be rather disparaging towards themselves and their own fandom, even within their comfort zone. Is it a kind of acceptance of their position and trying to diffuse criticism before it even has a chance to emerge, or the afore-mentioned introversion creating a lack of self-confidence? For being a fairly tight community there are some really deep rifts, and every so often tales of drama amongst community figureheads seems to seep down through the ranks and cause equal parts apathy, derision and name-calling on both sides. And for the most part it’s a self-sustaining fandom, with its works created by furries, for furries, which creates a kind of perpetual motion of more of the same. It was admittedly very difficult finding an artist for Legacy‘s cover because I wanted to find a great artist with no porn in their back catalogue. ShadowUmbre (Minna Sundberg) was an incredible find, heh. But she’s proof, along with many other artists, that furry art and culture can be accessible to a much wider audience if it wasn’t quite so saturated with its own history.

But then, it’s these characteristics that make it so unique. There are infinite shades across the spectrum from tasteful to outright disgusting, but it’s up to someone who wants to make a real name for themselves in the wider world to show everyone the bigger picture rather than just trying to please those who already know them. I want Legacy to be a success for me because I love the story, but if it helped furries generally, that’d be fine too.


Next time – TRUKK NOT MUNKY Part 2: Steampunk
An introduction to Steampunk, the colourful personas that fill its eccentric anachronisms, and the darker side of the machines…